Playwright & Director Jeffrey Lo
Navigating Theater with Purpose
“I often found myself as the only person of color in the room, which required finding strength in my individuality and pushing for representation.
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Photo by Paul Kuroda
Jeffrey Lo is an award-winning playwright and director known for his work in championing diverse voices in theater. Based in the San Francisco Bay Area, Lo has directed productions at major regional theaters, including TheatreWorks Silicon Valley and the San Francisco Playhouse. He is also the Literary Manager at TheatreWorks, where he supports emerging playwrights in developing new works. A passionate advocate for representation, Lo’s plays, such as Waiting for Next and Persuasion, center on themes of identity, belonging, and cultural heritage. Throughout his career, he has received numerous accolades, including the Leigh Weimers Emerging Artist Award, recognizing his impact on the theater landscape.
How did you know you wanted to be an artist?
I found my way to storytelling in a roundabout way. Initially, I loved video games and thought I’d become a journalist. My passion for storytelling and language evolved from there, especially when I discovered theater in high school. The sense of community and collaboration in theater really drew me in.
What challenges have you faced in your career?
Financial instability is a major challenge, especially in the Bay Area. Early in my career, there were fewer opportunities for Asian American stories. I often found myself as the only person of color in the room, which required finding strength in my individuality and pushing for representation.
How did your parents influence your career in the arts?
My parents didn’t initially value the arts and preferred I pursue a stable career. Although they didn’t always understand my passion, they attended my shows and gradually engaged more deeply with the stories. Their support, despite their concerns, has been crucial.
How did you evolve into your current roles as a director, playwright, and educator?
I started as a writer and director in high school, driven by a desire to control how my stories were told. Over time, I separated writing from directing to explore each more fully. Teaching came later, and I enjoy working with students for their fresh perspectives and diversity.
Is formal education important for aspiring artists?
Education provides valuable structure and foundational skills, but there’s no substitute for hands-on experience. Doing the work, making mistakes, and learning by doing are essential. Formal education can help, but it’s not the only path.
What are some misconceptions about being an artist?
One misconception is the financial status of artists; we’re often seen as either very poor or very wealthy. Another is that artists are difficult or egotistical. In reality, the most successful artists are kind and collaborative. Also, anyone can belong in the arts—it’s a community for outcasts and individuals. It’s hard work, and there’s always something to learn, no matter your role.
How can parents best support their aspiring artist children?
Let them try it. Most kids won’t pursue it professionally, but the skills they learn—public speaking, collaboration, self-expression—are invaluable. Even if they don’t make a career out of it, the experience will enrich their lives.
What other insights can you share about being an artist?
Being an artist has nothing to do with making money. Art can fulfill one's soul in many ways. It's essential to recognize the craft and hard work required in theater—it's not as easy as people think. Additionally, storytelling helps us understand each other better. As a Native American storyteller once said, "My family tells stories upon the assumption that it's impossible to hate someone that you know too well."
The Full Interview
Jeffrey Lo’s journey in theater highlights the importance of storytelling as a means of cultural expression and change. His dedication to uplifting underrepresented voices continues to shape the industry, inspiring artists and audiences alike.
